Genêt: London before World War II

London Was Yesterday
by Janet Flanner

This book is a collection of essays, both short and long, that Janet Flanner wrote for The New Yorker magazine in the 1934-1939 which was the time of Edward VIII's abdication "for the woman that I love" and the run up to World War II.

When Miss Flanner's editor, Harold Ross, gave her the job of reporting on France and England in the late 1920s, he told her that he wanted to know what the natives were thinking about themselves and their cultures and their nations, not what she thought of them. And Miss Flanner produced that kind of viewpoint for the U.S. readers.

Miss Flanner reported from Europe for The New Yorker from the late 1920s to her retirement in the early 1970s.

Her essays range from three sentence paragraphs on the doings and dancings of Josephine Baker or the funeral of Anatole France (is he even read today in France?) to several long portraits of Wallis Simpson (that beloved woman) and the new Queen, Elizabeth the wife of George VI who was the father of the present Elizabeth II, after the abdication of Edward VIII. I know that this sentence reads like the boring genealogy of the Bible.

Miss Flanner was a writer with a dry and wry turn of phrase and wit and a detached (easy for her, she was a Yank), discerning view of her subjects and their concerns. She could also do slapstick:

When Lotte Lehmann, as the Marschallin, had a chill and walked out on the opening act of the first Rosenkavalier performance, a leg came off fat Baron Ochs' sofa. Furthermore, an anachronistic wirehaired fox terrier stole the eighteenth-century levee scene, and the lady spy's hoopskirt flew waist-high after the Presentation of the Rose episode.

It is the Marx Brothers all in one.

Jerome Robbins and Men Who Explain

Somewhere: The Life of Jerome Robbins
by Amanda Vaill

I knew that George Balachine was a genius and that he was the Ballet Master and Maker of the New York City Ballet. I also knew that Jerome Robbins, a Broadway kind of dancer and choreographer, was considered to be the "other" Ballet Master of NYCB. I thought that Mr. Robbins was fortunate to be so well considered, as did he, I found out in this biography. But I did not realize just how talented (I have been cruising PBS and U Tube for videos) Mr. Robbins was, just not on Broadway, but in the ballet.

Mr. Robbins not only choreographed but developed (producing, writing, the music, the book, etc.) so many iconic and classic Broadway musicals of the 1950s, 60s, and 70s, with West Side Story, Gypsy, and Fiddler on the Roof as just the most familiar to most musical comedy connoisseurs and high school theater departments.

There was a little too much of the Russian shtetl (the background of Mr. Robbins' parents early in the book and his own discovery of heritage late in life and look, Fiddler on the Roof look!) in some parts of this book. But the American talented boy makes good, very good in America! parts and the Broadway history and the NYCB were the chapters that interested me the most.

Men Explain Things to Me
by Rebecca Solnitz

All about Mansplaining in the Wide World of Boys.

Yeah, I get it. I got it from the Supreme Court just recently. There are things that Women just don't understand and they have to be taught by Wise Old Ugly Men. Ugh!

No Fear

Hidden Cities: Travels to the Secret Corners of the World's Great Metropolises by Moses Gates

Moses Gates is the kind of guy, who after a few shots of hard liquor (indeed he recommends it for his adventures), decides to go and climb the Brooklyn Bridge. And if he can convince the pretty girl in the bar to accompany him, the two of them can make out on the top of the bridge.

Mr. Gates does not limit his climbing adventures to New York City and its bridges and the Chrysler Building. He has climbed Notre Dame Cathedral in Paris and been arrested for it.

Mr. Gates does not limit his adventures to the sky, he also has explored the Sewers of Paris and Moscow and ventured down a subway track or two in NYC.

Below ground or Above, Way Above, Ground; heights or narrow subterranean tunnels; Mr. Gates has no Fear. But he is human and he does have fear, he just doesn't explore it in his book.

If you have always wanted to take up this sort of thing, Mr. Gates has some good suggestions on how to do it. His book is a quick and thrilling read, like his adventures, with only a few rest stops for autobiographical details and love life failures that never really explain why a perfectly ordinary guy would do this sort of thing. Well, liquor is the reason for that. That is what I understood from his book.

The Worth of Geraldine Farrar

The history of Silent Film has always interested me. In my readings, I found it ironic that one of the early Silent Film stars was Geraldine Farrar who was a gifted and famous American opera singer of the early twentieth century. In the off-opera season, from 1915 to 1920, Miss Farrar starred in silent film where her vocal talents were unused but she did have "star quality" and she was a very good Operatic Actress and that was all she needed to achieve stardom in the film of that time.

She also had a core fan club of young women who adored her and called themselves "Gerry Flappers". I am sure that they all saw her films at least once if not twenty times.

Miss Farrar was born in Massachusetts and her musical ability was recognized by her mother at an early age (5 years old) and nurtured. Miss Farrar was an only child so her mother's attention upon her was absolute. 

At the age of fourteen, Miss Farrar was giving recitals and those recitals brought her to the notice of The Bonds of Boston who bankrolled Miss Farrar's further education to sing opera. Miss Farrar sought her advanced education in Europe and it was in the turn of the century Germany that she gained notice and earned her reputation as a soprano, much like Maria Callas of the later part of the twentieth century, who sang the emotions of the opera part. She had technique but it was the "acting" of the emotions of the part that was the most important part of the performance for her and her audience.

Miss Farrar made her American Metropolitan debut in 1906 and was the soprano who introduced the iconic and eponymous role of Madama Butterfly to American audiences. She was selected and coached by Puccini himself for the part. Although in her biography, she claims that she was his second choice.

The Autobiography of Geraldine Farrar was written by Miss Farrar in 1938. She has very fond memories of her career and life in Germany before World War I that carries over rather offensively to the 1930s. She finds no offense in Hitler's Germany.

She also divides the book into parts. One part is written by Miss Farrar with flourishes and innuendos and intransitive verbs and lush similes and flushed metaphors that makes the reader sometimes resort to diagramming the sentence to determine what is really being said.

For Example, she describes a tenor named Chaliapin:

"I am sure he was a kind if sometimes forgetful husband, and an affectionate father, in spite of having a brilliant reputation as conquistador in the domain of Amor. This was not difficult, given his tremendous artistic endowment, and the the undeniable attractions of a singularly elemental male."  

In real speak, the man was a Horn Dog and had a Big Dong. And she knows, because she had him. And he and his Dong were Good.

In the other part of the "autobiography", Miss Farrar's mother writes with exactly the same style as Miss Farrar and despite the fact that she, the mother, is dead. I suppose we are to assume that this is some "auto"matic hand writing channeled from the dead mother's spirit. Miss Farrar's mom discreetly covers the heights of Miss Farrar's career and love life that it would be unseemly for Miss Farrar to boast directly about herself.

Miss Farrar had an affair with Crown Prince Wilhem in her Berlin Glory Days, but Miss Farrar's mom writes about what a lovely wife and kiddies that he had, and that she and Geraldine got to see them all the time and practically live with them because they were so close to Mrs. Wilhem. I guess that they had the bedroom on the other side of Prince Wilhem's boudoir. And all those adorable kiddies were Mrs. Wilhem's kiddies, all her own, not one of them was Miss Farrar's.

Miss Farrar's love affairs with Toscanini and Enrico Caruso among others are covered in much the same manner.

Miss Farrar's movie career ended in 1920 when she tore up her contract with Samuel Goldwyn when he told her that her movies didn't make money anymore. Miss Farrar was a New England business woman and she made movies because that was where the money was. Miss Farrar's singing career ended in the late 1920s when she wore out her voice by constant travel in her own private rail car all over the US, because that was where the money was. She did record extensively in the early twentieth century because that was where the money was and you can find some of these recordings on CDs today.

Miss Farrar was a Lady who knew her Worth and got her Worth in every way possible.

Eating Thoughtfully

Leonardo and The Last Supper by Ross King

The Last Supper by Leonardo da Vinci was an experiment in oil based paint on a plaster wall primed with a lead based white paint. Most wall murals of the time were frescos where the artist painted a very small part of the wall with pigments on a wet plaster.

Leonardo was in a creative mood after he had to give up his huge bronze horse cast statute and his flying machine design. He decided to do his art commission for a monastery wall in oil paints because no one else had ever done it that way. If you look at photos of The Last Supper as it is today, you see why no one had. The present mural is stripped paint and faint colors and indistinguishable characteristics of the figures and the food at the last supper.

Da Vinci also chose the wrong wall to paint. It was the north wall and prone to dampness  even in good weather. The Last Supper was a mural artwork experiment gone very wrong.

But on the positive side, Leonardo did finish the mural. And Leonardo was well known by all art patrons in Milan as an artist who did not start or finish his commissions unless they were small paintings of individuals.

Leonardo was a thinker of great ideas. His art was just a hobby or a palate cleanser while he tasted another idea with dreams of architectural or engineering glory.

This was a new one for me---an artist who really wanted to be an engineer.

A Clash of Cultures

A History of Future Cities by Daniel Brook

This book is a history of four cities: St. Petersburg (also in its Leningrad incarnation), Shanghai, Dubai, and Mumbai (in its Bombay incarnation).

The two cities that I found to be the most interesting were St. Petersburg and Shanghai. Both cities were founded by the imposition of the Western Enlightenment and its subsequent desire for trade with other cultures, the curiosity with other cultures, and the exploitation of a native culture for its own betterment and the West's.

Peter the Great, the Russian Czar, thought that he could import the Western Enlightenment into Russia by laying the groundwork of St. Petersburg. The mix of Western Culture and Russian Culture, after he wrested the area from the Swedish crown, would lead to a High Russian Culture that would rival and overtake the Enlightenment of Western Europe. All the good would flow to Russia, because that is the way the autocrat, Peter, wanted it. But, oh the Other People and the Little People, they don't know that they must serve the Autocrat not themselves. They will go and order things the way that they want them to be, not the way that their Betters Know That They Should Be. This problem persists in the World today.

Shanghai was also founded by a Briton who wanted to trade with the Chinese Empire. Britain had manufactured goods that needed markets preferably in China. The Chinese Emperor gave the land for the barbarians to use as their trading city, but then the Emperor refused to trade because the Europeans had nothing that the Chinese wanted according to the Emperor. Except for Opium from the British Indian Empire, the Chinese were willing to take some of that good stuff. In order to obtain the silks and lacquers and porcelain and art of the Chinese, Europeans only had, by the decree of the Chinese Emperor, Opium to trade. Hence the Opium War, a shameful war by all accounts on all sides.

Whereas Peter the Great made a city for the expansion of Culture and Trade, the Chinese Emperor made Shanghai to contain and contract the meeting of Cultures. It didn't work out well for either man's goals.


No Easy Day: An Autobiography of a Navy Seal: The First Hand Account of the Mission That Killed Osama Bin Laden by Mark Owen

I saw Zero Dark Thirty and wondered about the accuracy of the last part of the movie, so I read this book. The movie and book pretty much follow each other in the raid.

The rest of the book is about how Mr. Owen became a Navy Seal and what his training consisted of. The rest of the movie is about the wanderings in the Torture Desert of Moral Ambiguity to find the Devil. Both parts of those stories depend upon what the reader or viewer is really interested in.


The Iron King by Maurice Druon

Philip IV the Fair was the King of France in the later part of the thirteenth century. He decided that being a Temporal King was no great challenge and he went after the Papacy too. He made up his own Pope and then went after the wealth of the Templar Knights who ran the Crusades and financed many shenanigans throughout Europe.

Philip broke the Templar Knights (they are the ones that The Maltese Falcon belonged  to) but didn't get anymore satisfaction out of it than did the Fat Man and Sam Spade. The head of the Templar Knights cursed Philip the Fair and his progeny to the thirteenth generation as he burned at the stake. And it appeared that the Curse did some Good or Bad as it was intended.

Philip the Fair died soon afterwards and his children and their children fell on hard ruling times and the Hundred Years War. The French ruling family, the Capets, died out. The Valois branch took over. The British ruling family of the Plantagenets (who were connected to the French Capets through intermarriage) fell apart and began the Wars of the Roses which gave Shakespeare the basis for his History Plays.

The book has a couple of subplots about a scheming knight and an Italian Banking House that were interesting sporadically. I usually just skimmed those parts. The royals are the interesting stinkers in this book.

Dorothy Dunnett's The Lymond Chronicles is a better written set of books about the mid-sixteenth century that gives intimate details of the history and culture and customs of Europe. It helps to know French and Latin for her books, although one can get by just fine without them. Mr. Druon doesn't have the depth of research nor gives the historical details that Miss Dunnett does, but he is a quick read.

Some Odd People

The Guilty One by Lisa Ballantyne

This book is a murder mystery that goes to trial where the truth to be discovered about the trial and whether the accused child murderer did what he is accused of is discernible about half way through the book and the trial.

The real mystery is why the child's attorney, or solicitor (this is a British mystery), is estranged from his adoptive mother and biological mother.

This is good trash reading.


That Furious Lesbian: The Story of Mercedes de Acosta by Robert A. Shanke

Mercedes de Acosta knew every one who was Any One in the early twentieth century. She was a lesbian groupie who slept with all the great lesbians of that age, Greta Garbo, Marlene Dietrich, Eva le Gallienne, Laurette Taylor, Alice B. Toklas, etc.

Miss de Acosta also wrote plays for the theater of the time and screenplays for Hollywood movies.

This is a good biography. It moves fast and explains the period and its people well to anyone who has not read much about it.

And Cecil Beaton was the one who called her a furious lesbian. Really Mr. Beaton, you are one to talk.